The Origin of Foley Art
Jack Foley, who joined Universal Studios in 1914, is credited with starting the practice of Foley art. When “talkies” arrived in the 1920s, movie studios felt the need to add realistic sounds but used microphones on sets only to record dialogue. Foley began the practice of recording audio tracks to synchronise with films that were already shot.
Starting with assembling a team that projected the film onto a screen while recording sounds, mainly of footsteps and doors, Foley went on to become an expert, performing to the end of his life in 1967. The demand for Foley sounds continues despite stock sound effects which may not precisely fulfil a filmmaker’s requirements.
What Skills Does a Foley Artist Need?
Creativity and imagination are a Foley Artist’s companions all through their career. In addition, you require skills in sound production, recording, sound editing, post-production, and basic acoustics, exceptional ears for nuances, coordination skills, and time management. Foley Artists may have access to studio space or may need to work in just a single room. You must know how to adapt the space for optimal-quality recording, using wall hanging, sound baffles or other acoustic methods to create a recording chamber.
Physical fitness and dexterity are also essential for Foley Artists as their work requires extended periods of sitting and kneeling, walking and running, or manoeuvring props, such as metal sheets, with their arms and hands.
Networking is key to establishing and leveraging your reputation as a Foley Artist and boosting the demand for your services.
How to Build a Foley Pit
Recording footsteps on location may not always be possible if the locations are inaccessible or noisy, thus giving rise to the need for a Foley studio. However, budgetary constraints may require filmmakers to create Foley sounds in a home studio with a self-created Foley pit, using everyday and inexpensive objects. The pit should be easy to assemble and clean.
A quiet and carpeted room or closet is a helpful starting point. Carpets help absorb sound and allow footstep recordings to sound dry and clean. You can use several mobile apps to check for the extent of echo in several rooms, choosing the one that works best for your Foley recordings. The next step is to create a suitable acoustic environment in the selected room by switching off all electronic devices as they might create a buzz or hum that interferes with your recording. Then cover all flat surfaces, such as walls, doors and windows, using curtains, towels, blankets or cushions to prevent sound from reflecting.
To build the pit, use something like a gardening tray measuring about 70 cm x 70 cm, preferably square and made of plastic. It should be sufficiently large for footsteps, deep enough to avoid reverberation and hold messy materials, and easy to clean. Add dirt, leaves, small branches and gravel till the sound you create matches the visual.
Types of Foley Effects
Footsteps, including the actions of running, walking, and kicking, form the first and major category of the sounds that Foley Artists create. They use shoes and floor surfaces to create a sound as close as possible to what the scene requires. The second genre of sounds is that of movements, such as the swishing or rustling of clothes. The third group of Foley effects is that of sounds specific to a scene, such as a creaky door, the shattering of glass, or the crack of a whip.
Some Everyday Objects Used to Create Basic Sounds
While Foley Artists have a bagful of tricks, tips and tools to create particular sound effects, they must also innovate or improve sounds and methods as needed. Breaking a celery stalk or head of lettuce can fill in for the sound of breaking bones. Need to match the sound of a body punch? Hit a phone book. Pick up a pair of leather gloves and flap them around to mimic the sound of a bird’s wings flapping in the air. Crushing a leather pouch packed with corn starch can sound like snow being crunched, while metal plates or sheets are helpful to imitate thunder. A thin stick or an arrow waved around creates a whoosh while handsoap generates squishing sounds. There is, of course, the tried and tested method of clapping coconut shell halves to approximate the sound of horse hooves.
Creating the Sound of Footsteps
To mimic the sound of a character’s footsteps, Foley Artists observe the surface the character is walking on, their speed and any specific features of their gait. A microphone is placed near the feet of the Foley Artist to record the sound of their footsteps as they walk in place on a hard surface, such as wood or marble, ensuring a near-perfect match with the character’s footsteps in the visual.