Diploma in Film Editing Techniques, Plots and Narratives
Master the key features of film-editing techniques, and creating plots and narratives in this free online cinema course.
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You will immerse yourself in the concepts of film techniques, theories and movements in cinema during this free online course. Analyze the different types of, and myths in, movie plots, and the key ideas around creating characters in cinema. Then move onto the great contribution of iconic Soviet filmmakers Lev Kuleshov and Sergei Eisenstein in the field of montage editing.
This will lead to the introduction of French literary theorist Gerard Genette’s concept of an unreliable narrator and how it reveals an interesting gap between appearance and reality. The course will cover critical theories of realism and naturalism, such as Charles Darwin’s idea about nature and the ideology from Karl Marx’s theory of economics. It then describes the work done by important colour theoreticians such as Rudolf Arnheim, David Bordwell, Eisenstein, Derek Jarman, and Edward Raymond Turner.
This course is aimed at meeting the interests and needs of young career professionals who want to develop a deeper understanding of different theories of film editing and colours in cinema, and for cinema studies students who want to build their theoretical knowledge of film artistry.Start Course Now
Introduction of Film Techniques, Colors and Semiotics
Introduction of Film Techniques, Colors and Semiotics: Learning Outcomes
Film Techniques, Theories and Movements
Introduction of Colors in Cinema
Introduction of Semiotics in Cinema
Signifier and Signified
Seven (1995) - Enigmatic Code and Key Connotations
Seven (1995) - Enigmatic Code and Cultural Code
Introduction of Film Techniques, Colors and Semiotics: Lesson Summary
Plots, Narratives and Characters in Cinema
Plots, Narratives and Characters in Cinema: Learning Outcomes
Plots and Narratives in Cinema
Plots - Unreliable Narrator and Concept of Defamiliarization
Types and Myths in Plots
Conflicts as an Elements
Introduction of Characters in Cinema
Dynamic, Flat and Allegorical Characters
Plots, Narratives and Characters in Cinema: Lesson Summary
Editing Techniques in Cinema
Editing Techniques in Cinema: Learning Outcomes
Editing in Cinema - Montage
Editing in Cinema - Jumpcut
Realism and Realistic Films in Cinema
Dogme Principle and Realism
Colors Theory and Practice
Colors, Narratives and Nostalgia
Editing Techniques in Cinema: Lesson Summary
On successful completion of this course you will be able to:
- Describe theories of filmmaking and techniques in cinema
- Explain concept of cinematography
- Identify the roles of colours in filmmaking
- Explain the concept of 'defamiliarization'
- Describe certain cinematic and literary concepts
- Explain Genette’s concept of an unreliable narrator.
- Distinguish between montage and jump cut techniques
- Define the difference between realism and naturalism in cinema
All Alison courses are free to enrol, study and complete. To successfully complete this Diploma course and become an Alison Graduate, you need to achieve 80% or higher in each course assessment. Once you have completed this Diploma course, you have the option to acquire an official Diploma, which is a great way to share your achievement with the world. Your Alison Diploma is:
Ideal for sharing with potential employers - include it in your CV, professional social media profiles and job applications
An indication of your commitment to continuously learn, upskill and achieve high results
An incentive for you to continue empowering yourself through lifelong learning
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